I don’t want to bore you with my life story, but I had several years of stress that ended up manifesting themselves bodily in the form of nausea, rapid heart palpitations, erratic sleep and eating patterns, depression, permanent exhaustion, mood swings, memory loss, light hallucinations and very painful cramp-like symptoms in various body parts
It was so bad for some time that I couldn’t lie on my back anymore and had to sleep while sitting. How do I know that it was stress that caused this? I am only guessing, but I got rid of the stress, and now the symptoms are gone as well. Symptoms that I had for years and that no doctor could explain. So maybe here are some hints you could surely also get from anyone else with a similar backstory:
Oh, the PS3. A problematic console from the start, with its strange Cell processor and its status somewhere between home entertainment system and games console. I suspect it only succeeded because of Sony’s muscle at the time, having emerged from the last console wars as a winner.
But this isn’t about the PS3, or only insofar as inFamous 2 is one of the titles that really, really taxes the system, and is a PS3 exclusive. Here’s inFamous 2 in a few paragraphs, maybe enough of them stick for you that you’ll give this game a chance:
The synopsis is this: You’re a freak who gets electricity-based superpowers, but now you can’t drive a car anymore and water kills you. Make sense so far? But you gotta save the world from the The Beast that approaches the Floridaesque or New Orleansy coastal city of New Marais.
Writing, characters, story
There is excellent writing (for an action game) with solid characterization and great voice work. The lead character, Cole, is interesting because the voice actor (Eric Ladin) does this gruff-sexy-action-hero type of gravely monotone, but he puts just the right amount of emotional nuance into it to make it interesting. The lines he gets are often surprisingly human. These people talk just like people! The game won’t bore you with ages of exposition, each dialog is just the minimal amount of information to move the story forward, delivered in short well-written bursts.
Graphics and sound
You’ll find breathtaking environments. Think Zelda: Breath of the Wild invented the scenic third-person game? Think again. inFamous 2 has beautiful vistas by the truckload. Particularly the skyboxes are astonishing — depending on the mood they want to create, they either look like something from a comic book or something from an apocalyptic classical painting.
Lighting is carefully chosen in general, with the whole scene bathed in a bluish twilight here or a dark orange sunset glow there. The architecture also deserves to be mentioned. It’s as if the developers had worked with an architect and a city planner to lay out the areas. Wood shacks and half-collapsed brick houses in Flood Town, colonial redbrick and a huge cathedral in the main part of town, an industrial wasteland full of gas tanks, train tracks and repair warehouses in the, err, industrial part. It all looks believable and organic.
Textures deserve to be mentioned as well, as I haven’t seen many PS3 games with such varied and careful texture work. Bricks and rocks have a palpable rough feel to them, colors in the main part of town are chosen carefully to be muted so that the many neon signs and lights pop out. Scenes with water feel glistening and wet.
This sequel has much more accessible gameplay than inFamous 1. That alone sets it apart enough for me. You unlock superpowers at just the right rate, and you feel like a badass as you climb through the cityscape or grind on a powerline. There aren’t any of those annoying tutorial levels like in inFamous 1, so in case you’re worrying about that, worry not.
You’ll be facing hundreds of normal, smaller enemies that each use different tactics, and usually the AI is good enough to make things interesting. You rarely feel totally overpowered, so you can rarely just stop thinking. Sometimes the AI gets stuck in corners, especially if you are very far away, but that’s fine. Most of your powers don’t have enough range to hit then anyway, and when you move closer the AI wakes from its daze and joins the fight again.
The few battles with extremely large enemies are all the better for it. Usually you fight enemies roughly your size or twice that. But there are occasions where you need to take on much larger beasts. Those truly shine because they are the exception. You’ll remember these enemies and fights precisely because you didn’t get inundated with sixty bosses already.
The only major criticism I could lob at the game is the framerate. It’s uneven, staring at the sky might get you around 60 fps, but actually playing in the streets hovers around 25 to 30, and battles can go down to the low 20s. They did a fantastic job adapting the controls so that you can win the fights anyway, even when the framerate tanks. But it’s just not beautiful anymore in the age of rock-solid 60 fps like the Nintendo Switch delivers for many games. This game needs a remake. Anyone listening? Screw The Last of Us, inFamous 2 is a fantastic action romp and it needs to be 1080p60 for fuck’s sake.
Festival of Blood: Electric Vampires
If you haven’t had enough of inFamous 2, there is a standalone side-game in the form of inFamous: Festival of Blood that uses the same locations but that lets you be an electrified vampire during a Mardi Gras-ish festival, hunting Bloody Mary, a vampire that terrorizes town. Yes, the cocktail was named after her in this universe, not the other way round.
The writing is once again spot-on, especially Bloody Mary’s diary segments. They’re delivered in her lofty English sing-song and written in the style of Gothic horror novels, always with a fun twist at the end.
Technically the game isn’t different from inFamous 2, but the colors are all changed (much more red) and the atmosphere in the street is very different with hundreds of festivalgoers wearing neon glow-in-the-dark bracelets.
Gameplay is changed from the base inFamous 2 by the addition of vampire powers (vampire sense lets you see into people and whether they are hidden vampires, bat flight turns you into a flock of bat, biting people and sucking their blood refills your bat flight energy, etc.).
The only criticism here is that environments are reused quite often, with one section of catacombs underneath the cathedral serving as location for at least three quests. But this is forgivable.
Oh, the PS3. It’s getting old now. This is an advantage for you, in case no remake is coming. If you don’t have a PS3, you can get one now for 50 bucks of whatever currency, and inFamous 2 in a digital sale often dips below 10 and includes Festival of Blood. Physical, you might be able to score a used copy for 5.
Also, if you have a beefy PC, keep an eye out for RPCS3. This PS3 emulator has been making great strides, and you can rip games yourself quite easily. It doesn’t really run the inFamous games yet, though. Maybe if RPCS3 becomes optimized enough, we won’t need a remake anymore. A very, very fast PC can potentially play this game at a solid 30 or 60 fps, as there is no frame limiter in the engine.
Here’s a full playthrough with major spoilers if you want to see what the game is like:
TL;DR (1072 words): The current trend towards closed communications systems like Slack, Facebook and the like can only hurt us as society. An open standard needs to emerge. Who’s volunteering to support things like Matrix and the “new decentralized Internet”?
I’m trying to illustrate the newly closed nature of the Internet using team chat and team collaboration as an example. But you can expand this example to pretty much anything nowadays. Because the solution to combat this closed-ness applies equally to all of these issues, I hope you can extrapolate from this as necessary.
These are some longer things I’ve read this week. I don’t guarantee that they’re new, just that I found them interesting:
Android at 10 part one, part two. As Android turns ten, Google is moving away from Linux and towards their own Fuchsia kernel. What might the next ten years of Android look like?
Super Mario Odyssey review by Digitiser2000’s Mr Biffo. It sums up pretty much what I think about the new mechanics, and also calls out Mario for being a sexist pig. Don’t take this as virtue signaling, but yes, Nintendo might need to work on this when the only game starring Princess Peach is basically a pre-menstrual mood swing simulator with a far too easy jump’n’run wrapped around it. You know, for girls! Girls can’t play video games! lololol!
Microsoft appears to have lost the source code for parts of Office. And this is the same company that some governments trust with their sensitive data. Why doesn’t Microsoft publish all their software under a FOSS license? It’s like Linus Torvalds is rumored to have said, “Backups are for wimps. Real men upload their data to an FTP site and have everyone else mirror it.”
Ideas were not enough. Not the reformation alone brought religious freedom to western societies, but the fact that enforcing religious unity was becoming too expensive and politically cumbersome for the rulers.
Stress can be good for you, but most toxic stress has measurable detrimental effects on your brain. The article explores the damage stress causes down to the physical level and gives some hints for post-stress recovery. Daily walks and meditation are mentioned. I’ve had episodes of stress and trauma leading to generalized anxiety (as the article also mentions) and I can say that meditation definitely can’t hurt.
I’d be delighted if some of that tickled your curiosity.
If you enjoy Nazi-stomping you’ve probably heard of Wolfenstein II: The New Colossus. They did have a pretty funny marketing campaign, after all. Now according to the reviews I’ve seen so far, it’s a mixed bag. It’s the Doom engine meets the previous Wolfenstein’s setting. Something we’ve more or less seen before, just with better graphics. Not that terribly exciting on a conceptual level, is it?
But there’s one game about taking out Nazis that is unique and was overlooked when it came out in 2009: The Saboteur. I’ll leave it to you to find in-depth reviews, but here are some of the things you can do:
And this begs the question: Who decides what is moral, who decides whose work you are allowed to see?
Comedian Louis C.K. was recently involved in a sex scandal. He did not rape a woman, but he made several women watch him while he was masturbating. HBO reacted by removing Louie’s previous work from their HBOnow service and his film distributor has cancelled the distribution of Louie’s new film titled “I Love You, Daddy”
The sunlight was inviting, so I set out to gain a little altitude. Have a better view, better knowledge of where I am in this blasted valley and perhaps find out some details about the fish-frog people.
It did not take long for the first sign of their cult to appear beside the road. This time it was made out of iron and was much more intricately decorated than the wooden one I had last seen, so it was probably also more powerful:
If you are a Facebook user, the company not only knows where you are and with whom at all times, it also performs psychological experiments on you but never tells you, and keeps the results to itself. But if you’re a Facebook user, you knew that, right?
Maybe you thought Facebook provides some freedom to its users, is a democratic tool for communication that puts power into the people’s hands. Wrong again, as several recent reports show. Facebook is happy to work with corrupt and totalitarian governments and they have spying equipment more advanced than what’s in even the wettest, juiciest dreams of services like the FBI or CIA.
It collaborates with asshole governments, but there is no pattern to Facebook’s choice of allegiance. Sometimes they assist with finding, jailing and torturing a person for their opinion. Sometimes they don’t. The process and reasoning behind it is completely opaque, and you as the person who might get tortured and jailed aren’t consulted about any of it.
It has its own censorship rules that are shared with no one. There is also some evidence that Facebook removes opinions it doesn’t like, things that don’t appeal to Silicon Valley. So by using Facebook, your opinion is automatically molded into that direction.
If that’s not enough, Facebook is not regulated. Things like the postal secret that protect your mail and telephone communications from prying eyes do not apply there. When you started using Facebook you actively signed away those rights by accepting the Facebook terms and policies.
This is especially worrying because some companies in the last few years have decided their only online presence is through Facebook, and the only way to deal with customers is if they have a Facebook account. This is shortsighted, stupid, dangerous. Every year new details about the super-secretive company come to light, and it is becoming ever clearer that the only right way to use Facebook is not to use it at all.