The festival was great in theory, but also way too cramped, more so than usual. That’s why there aren’t many takeaways:
- Necrophobic. I saw them live a few years ago but somehow didn’t realize they’re this interesting. Bought Mark of the Necrogram, but they have a sizeable backlog I now have to work on. Unfortunately, they don’t seem to be on Bandcamp so I had to buy from one of the evil empires (Google in this case).
- Slægt. A sort of blackened heavy metal from Denmark. I don’t like all the songs but the style mixture is compelling. Slægt on Bandcamp.
- Desaster. A thrash and black thing? Maybe. It’s a bit straightforward for the most part so I haven’t bought any albums just yet, but they had a very energetic stage presence so the show felt great. If they’re at some other festival or on a solo tour I’d definitely consider going.
- Wiegedood. Can’t decide if it’s plain black metal or if they’ve mixed a harsher type of shoegaze into it. Think of a heavier Alcest song played on a slightly broken amp that you run too loudly.
Usually I find more bands at EMM, but this time it was almost impossible to watch any acts on the small stage because everything was so packed with people. This is a shame, as it’s the small stage that has the more underground stuff and I’ve discovered at least 10 groups there in the last two years.
Of course you can always watch some of the more interesting-sounding parts of the lineup on YouTube, but that’s so not the same. Oh, well.
Since I distrust centralized services such as Spotify that can delete content you love at any time they like, I’ve always bought my own music and have a huge collection. But there’s no denying that streaming music to any device or location is a useful feature. You still don’t need Spotify for that, thanks to the FOSS community you can build your own Spotify-like streaming system, and this guide shows one combination of software to accomplish this.
The goal: Stream your music collection from your own PC (or NAS or whatever storage you have) to any web browser, mobile phone and desktop clients.
The method: A little Linux magic involving the following components:
Continue reading “Build your own Spotify-like music streaming solution using mpd”
From the band you could call “the U2 of Norwegian black metal” comes Axioma Ethica Odini. It has everything you’d expect from modern, avant-garde Scandinavian-style black metal, although one of the later tracks (Night Sight) sounds awfully Pink Floyd/Led Zeppelin, and they should perhaps leave that kind of stuff to Pink Floyd/Led Zeppelin.
Here’s the title track, Ethica Odini. Very repetitive, happy, poppy, sort of slow:
And this is Lightening, the finishing track:
Angry Metal Guy gives it 4/5
About.com gives it 4.5/5
Sputnikmusic scores it at 5/5
Metal Hammer (Germany) gives it Album of the Month and 7/7
And I’m pretty happy with it, too!
Amazon helped me find Melechesh, a wonderful band from Israel. The songs are poppy, light-hearted (for black metal) black metal, with a lot of oriental influence.
Here’s an example from an older album:
But check out this shit from their very latest album, The Epigenesis:
Rocks my balls off right now. Listen from 0:48 for some tight Egyptian-style stuff.
And that rocks them back on.
Well, not exactly.
But maybe you agree that the new icon Apple uses for iTunes looks a bit like the old icon that we’ve been using for Ario for quite a while. Ario is a client for MPD, the Music Player Daemon, something vastly more open and superior than iTunes. We are superior, I say!
Here’s our Ario icon:
And here’s Apple’s iTunes icon:
Strange “coincidence”, eh? And Ario’s only been out since 2007.
If you think music sounds good from your PC audio outputs, you are wrong*.
Most PCs come with onboard audio circuits that, at best, sound weak. As if you’re listening to your music through balls of cotton in your ears while the neighbor’s kid is marching up and down your living room shaking a bowl full of glass shards in rhythm with the music.
But there’s a cheap way out of that. The Music Streamer by High Resolution Technologies. It’s an external USB sound interface with a very good D/A converter. This is a semi-audiophile device, several levels above consumer-grade stuff from e.g. Creative. Yet it costs only about the same as your average USB audio interface these days.
This isn’t made for 5.1 surround sound gaming, it only has two analog RCA (Cinch) outputs to hook up to your amp. Of course you can also play games in stereo on it and watch films. Both sounds crystal clear.
I’ve hooked mine up to my Synology NAS (it’s plug and play) and I’m running mpd on it, so now I can listen to my collection of FLAC audio without even switching on the PC, and I can remote control it from any Android phone, a web interface or dedicated clients like Ario or ncmpcpp.
Best purchase of the year! I’m yet again discovering new aspects of albums I’ve bought 15 years ago and have heard over a thousand times. This thing reveals more detail in my music than my CD player. It’s nearly the same sensation as I had going from shitty speakers to semi-audiophile shit.
I bought the small version for CHF 120.00 (around USD 120.00), but if your ears are good enough to hear it and your equipment is good enough to reproduce it, you can go up to USD 900.00 on one of the higher-end models.
(*Okay: If you’ve hooked up some external D/A converter via S/P-DIF or TOSLINK you can get as good or better quality. But then you wouldn’t be reading this, would you?)
First watch the original:
Then try this improved version:
Fucking amazing. Brett Lee? You’re a genius.
I’m spamming this band all over the place, so I’ll put it here too. You probably know I’m a big fan of folk and black metal, but I can appreciate folk rock. And this weekend I discovered a most amazing band: Altan Urag. Here with their song Xöx Tolboton:
I think this stuff rocks some cocks. The Mongolian throat singing, the great sound of the Mongolian language, the fantastic array of traditional Mongolian string instruments (morin khuur, ikh khuur, bishguur, yoochin, etc.)… I’m completely in love.
I’ve downloaded their two released albums. There was no other way to get them, neither legally nor illegally. Therefore, one word to Altan Urag’s label(s): Please distribute the fucking CDs more widely. Thank you.
The Reg is posting a totally interesting survey that goes some way towards confirming what we’ve been saying since 1998 or so.
When the music industry wakes up and stops being the knee-jerk lawsuit-wielding political lobbyist it is right now, we might get some constructive discussions out of them and help them save their failing business model. The study shows that most people do not “pirate” music and, guess what, the paid-for listening and download services are actually used. By real people.
Once Big Content had removed their idiotic DRM schemes, people started trusting those services and signed up, happy to pay as much (or more) for music as they did when it mostly came on CD.
Why did we see this already in the 90s and the music industry still hasn’t realized it 10 years later? It is a slow behemoth, but even many indie labels seem to be late to the party, and those should be small and agile. Maybe if they replaced the old farts in charge of the music licensing bodies, they could move faster and at least be on time for the next media shift, whenever and to whatever that will be. It would be more useful for them than playing crybaby again when history repeats.